片名:《誘餌2019》

類型:劇情片

上映時間:2019

上映地區(qū):英國

導演:馬克·詹金

主演:Morgan,Val,Baker,Georgia,Ellery,Martin,Ellis,Chloe,Endean,Stacey,Guthrie,Jowan,Jacobs,Giles,King,Edward,Rowe,西蒙·謝潑德,特里斯坦·斯特羅克,瑪麗·伍德維恩

集數(shù): 完結(jié)

語言:英語

劇情片誘餌2019由演員Morgan,Val,Baker,Georgia,Ellery,Martin,Ellis,Chloe,Endean,Stacey,Guthrie,Jowan,Jacobs,Giles,King,Edward,Rowe,西蒙·謝潑德,特里斯坦·斯特羅克,瑪麗·伍德維恩精彩表演，誘餌2019講述了一段感人的故事。誘餌2019劇情片由知名導演馬克·詹金指導拍攝，誘餌2019的影片鏡頭完美，誘餌2019的劇情千回百轉(zhuǎn)，誘餌2019的精彩片段膾炙人口，誘餌2019讓人夸夸其談。誘餌2019上映于2019年，誘餌2019在上映地區(qū)英國受到大家喜歡，而成為熱門電影。誘餌2019的評分達到10.0分，所以誘餌2019是一部優(yōu)秀的劇情片。

誘餌2019劇情講述了:康沃爾漁村的風景明信片田園詩誤導了人們。雖然過去釣魚是一種養(yǎng)家糊口的方式，但如今富有的倫敦游客紛紛下山，取代了當?shù)厝?，當?shù)厝说纳嬕虼耸艿酵{。史蒂文和馬丁兄弟的關系也很緊張。馬丁是一個沒有船的漁夫，因為史蒂文開始用它來為一整天的游客提供更賺錢的旅游。他們賣掉了這座家庭別墅，現(xiàn)在看來，最后一場戰(zhàn)斗是和新主人在海邊的停車位上展開。然而，情況很快就失控了，而不僅僅是因為車輪夾鉗。　　Bait是一種黑白，手工制作，16毫米膠片制作的電影。許多關于魚、網(wǎng)、龍蝦、長靴、繩結(jié)和漁籃的特寫鏡頭讓人想起了蒙太奇景點的理論。對不同社會階層的描述——可以說是階級關系——也讓人想起了英國電影中的社會現(xiàn)實主義傳統(tǒng)。然而，最重要的是，在影像中不同層次的電影歷史參考文獻之下，當前許多政治關聯(lián)正在等待被發(fā)現(xiàn)。　　The picture-postcard idyll of the Cornwall fishing village is misleading. While fishing used to be a way of supporting oneself, wealthy London tourists have now descended and are displacing the locals, whose livelihood is thus threatened. The relationship between brothers Steven and Martin is also strained. Martin is a fisherman without a boat, since Steven started using it for far more lucrative tours for all the day-trippers. They’ve sold the family cottage and now it seems that the final battle to be fought is that with the new owners over the parking space next to the sea. Yet the situation soon gets out of hand, and not just because of the wheel clamp.　　Bait is a black-and-white film shot on hand-processed 16mm. Numerous close-ups of fish, nets, lobsters, wellington boots, knots and catch baskets bring to mind the theory of a montage of attractions. The depiction of the different social strata – one could speak of class relations – is also reminiscent of the tradition of social realism in British cinema. Above all, however, a whole lot of current political relevance is waiting to be discovered beneath the different layers of film historical references contained in the images.。